Interaction of Logical and Nominative Meaning

Antonomasia. It is the result of interaction between logical and nominal meaning of a word.

1) When the proper name of a person, who is famous for some reasons, is put for a person having the same feature.

e.g. Her husband is an Othello.

2) A common noun is used instead of a proper name, e. g. I agree with you Mr. Logic, e.g. My Dear Simplicity.

II. Intensification of a Feature

Simile. The intensification of some feature of the concept is realized in a device called simile. Similes set one object against another regardless of the fact that they may be completely alien to each other. The simile gives rise to a new understanding of the object. The properties of an object maybe viewed from different angles, f. e. its state, its actions, manners Accordingly, similes may be based on adjective - attributes, adverb - modifiers, verb - predicates etc.

Similes have formal elements in their structure: connective words such as like, as, such as, as if, seem.

Periphrasis - is a round-about way of speaking used to name some object or phenomenon. Longer-phrase is used instead of a shorter one. Some periphrasis are traditional.

e. g. The fair sex. My better half.

Periphrasis are divided into:

1. Logical - based on inherent properties of a thing.

e. g. Instrument of destruction, the object of administration.

2. Figurative - based on imagery: metaphor, metonymy

e. g. To tie a knot - to get married; in disgrace of fortune - bad luck.

Euphemism is used to avoid some unpleasant things, or taboo things.

e. g. To pass away - to die.

Hyperbole is deliberate overstatement or exaggeration, the aim of which is to intensify one of the features of the object in question to such a degree as to show its utter absurdity. Like many SDs, hyperbole may lose its quality as a SD through frequent repetition and become a unit of the language as a system, reproduced in speech in its unaltered from. Here there are some examples:

e. g. A thousand pardons, scared to death, immensely obliged.

Hyperbole is a device which sharpens the reader's ability to make a logical assessment of the utterance. This is achieved, as in case with other devices, by awakening the dichotomy of thought and feeling where thought takes the upper hand though not to the detriment of feeling.

Litotes is a varied specific form of understatement. It consists of the use of the negative for the contrary. Litotes and understatement reflect either the author’s general tone of writing or a way of rendering subtle irony.

III. Peculiar Use of Set Expressions

The Cliché

A cliché is generally defined as an expression that has become hackneyed and trite. It has lost its precise meaning by constant reiteration: in other words it has become stereotyped. Cliché is a kind of stable word combination which has become familiar and which has been accepted as a unit of a language

e. g. rosy dreams of youth, growing awareness.

Proverbs are short, well-known, supposedly wise sayings, usually in simple language.

e.g. Never say never. You can't get blood of a stone.

Proverbs are expressions of culture that are passed from generation to generation. They are words of wisdom of culture- lessons that people of that culture want their children to learn and to live by. They are served as some symbols, abstract ideas. Proverbs are usually dedicated and involve imagery.

e.g. Out of sight, out of mind.

Epigram is a short clever amusing saying or poem. e.g. A thing of beauty is a joy forever.

Quotation is a phrase or sentence taken from a work of literature or other piece of writing and repeated in order to prove a point or support an idea. They are marked graphically: by inverted commas: dashes, italics.

Allusion is an indirect reference, by word or phrase, to a historical. literary, mythological fact or to a fact of everyday life made in the course of speaking or writing. The use of allusion presupposes knowledge of the fact, thing or person alluded to on the part of the reader or listener.

Decomposition of set phrases: You know which side the law's buttered. (Galsworthy)

Paradox is based on contrast. It is a statement contradictory to something that is accepted as a self-evident or provable truth: e.g. I think that life is a far too important thing even to think seriously of it.

THEME 6