Массовая культура, социальные факторы и дизайн

Adams, Brooks. The Law of Civilization and Decay.  New York: Vintage, n.d.

Arensberg, Conrad M., and Niehoff, Arthur H. Introducing Social Change.

Chicago: Aldine, 1964.

Boorstin, Daniel J. The Image: A Guide to Pseudo-Events in America.

New York: Harper & Row, 1964.

Brightbill, Charles K. The Challenge of Leisure.  New York: Spectrum, 1960.

Brown, James A.C. Techniques of Persuasion.  Middlesex: Penguin, 1963.

Cassirer, Ernst. An Essay on Man.  New Haven, Connecticut:

Yale University Press, 1944.

___. Language and Myth.  New York: Harper & Brothers, 1946.

___. The Myth of the State.  London: Oxford University Press, 1946.

Galbraith, John Kenneth. The Voice of the Poor.

Cambridge, Massachusetts: Harvard University Press, 1983.

Goodman, Paul. Art and Social Nature.  

New York: Arts and Science Press, 1946.

___. Compulsory Mis-education. Middlesex: Penguin, 1971.

___. Drawing the Line.  New York: Random House, 1962.

___. Growing Up Absurd.  London: Sphere, 1970.

___. Like a Conquered Province: The Moral Ambiguity of America.

New York: Random House, 1967.

___. Notes of a Neolithic Conservative. New  York: Random House, 1970.

___. Utopian Essays and Practical Proposals. New York: Vintage, 1964. 

Gorer, Geoffrey. Hot Strip Tease.  London: Graywells Press, 1934.

Gurko, Leo. Heros, Highbrows and the Popular Mind.

New York: Charter Books, 1962.

Hofstadter, Richard. Anti-intellectualism in American Life.

London: Jonathan Cape, 1964.

Hofstadter, Richard, and Wallace, Michael. American Violence.

New York: Knopf, 1970.

Jacobs, Norman (ed.). Culture for the Millions?  Boston: Beacon, 1964.

Joad, C.E.M. Decadence.  London: Faber, 1948.

Kefauver, Estes. In  a Few Hands: Monopoly Power in America.

Middlesex: Penguin, 1966.

Kerr, Walter. The Decline of Pleasure.

New York: Simon & Schuster, 1964.

Kronhausen, Dr. Phyllis, and Kronhausen, Dr. Eberhard. Erotic Art.  

London: W.H. Alien, 1971.

___. The First International Exhibition of Erotic Art. Catalogue.

Copenhagen, Denmark: Uniprint, 1968.

___. The Second International Exhibition of Erotic Art.   Catalogue.

Copenhagen, Denmark: Uniprint, 1969.

Kiinen, James Simon. The Strawberry Statement: Notes of a College

Revolutionary.  New York: Random House, 1969.

Larrabee, Eric, and Meyersohn, Rolf (eds.). Mass Leisure.

New York: Free Press, 1958.

Legman, Gershon. The Fake Revolt.

New York: The Breaking Point Press, 1966.

___. Love and Death: A Study in Censorship.

New York; The Breaking Point Press, 1949.

___. (ed.). Neurotica:  1948-1951. New York: Hacker, 1963.

___. Rationale of the Dirty Joke: An Analysis of Sexual Humour.

London: Panther, 1972.

Levy, Mervyn. The Moons of Paradise: Reflections on the Female Breast in Art.

New York: Citadel, 1965.

MacDonald, Dwight. Masscult and Midcult.

New York: Random House, 1961.

McLuhan, Marshall. Culture is Our Business.  New York: McGraw-Hill, 1970.

___. The Gutenberg Galaxy.  London: Routledge & Kegan Paul, 1962.

___. The Mechanical Bride.  London: Routledge & Kegan Paul, 1967.398 Библиография

___. Understanding Media.  London: Routledge & Kegan Paul, 1964

___. and Carpenter, Edmund. Explorations in Communication.

London: Jonathan Cape, 1970.

___. and Watson, Wilfred. From Cliche to Archetype.  New York: Viking 1

___. and Fiore, Quentin. The Medium Is the Message.

Middlesex: Penguin, 1971.

___. and Parker, Harley. Through the Vanishing Point.

New York: Harper & Row, 1968.

___. and Papanek, Victor). Verbi-voco- Visual Explorations.

New York: Something Else Press, 1967.

___. and Fiore, Quentin. War and Peace in the Global Village.

New York: Bantam, 1968.

Mannheim, Karl. Ideology and Utopia.

London: Routledge & Kegan Paul, 1966.

Mehling, Harold. The Great Time Killer.  New York: World, 1962.

Mesthene, Emmanuel G. Technological Change.

Cambridge, Massachusetts: Harvard University Press, 1970.

Molnar, Thomas. The Decline of the Intellectual.

New York: Meridian, 1961.

Myrdal, Jan and Kessle, Gun. Angkor: An Essay on Art and Imperialism.

London: Chatto & Windus, 1971.

O'Brian, Edward J. The Dance of the Machines.  New York: Macaulay, 1929.

Packard, Vance. The Hidden Persuaders.  Middlesex: Penguin, 1970.

___. The Status Seekers.  Middlesex: Penguin, 1971.

___. The Wastemakers.  Middlesex: Penguin, 1970.

Palm, Goran. As Others See Us.  Indianapolis: Bobbs-Merrill, 1968.

Reich, Charles A. The Greening of America.  Middlesex: Penguin, 1972.

Repo, Satu (ed.). This Book is About Schools.

New York: Pantheon Books, 1970.

Riesman, David. Faces in the Crowd.

New Haven, Connecticut: Yale University Press, 1952.

___. Individualism Reconsidered.  New York: Free Press, 1954.

___. The Lonely Crowd,  rev. ed. New Haven, Connecticut:

Yale University Press, 1950.

Rosenberg, Bernard, and White, David M. Mass Culture.

New York: Free Press, 1957.

Roszak, Theodore. The Making of a Counter Culture.

London: Faber, 1971.

Ryan, Willima. Blaming the Victim. Orbach & Chambers, 1971.

Snow, C.P. The Two Cultures: And a Second Look.

Cambridge: Cambridge University Press, 1963.

Thomson, Denys. Discrimination and Popular Culture.

Middlex: Pengiun, 1970.

Toffler, Alvin. The Culture Consumers. New York: St. Martin’s, 1964.

Veblen, Thorstein. The Theory of the Leisure Class.

London: Alien & Unwin, 1971.

Wagner, Geoffrey. Parade of Pleasure: A Study of Popular Iconography

in the USA. London: Derek & Verschoyle, 1954.

Walker, Edward L., and Heyns, Roger W. An Anatomy for Conformity.

London: Brooks-Cole, 1968.

Warshow, Robert. The Immediate Experience.

New York: Doble-day, 1963.

Yong, Wayland. Eros Denied: Sex in Western Society.

London: Corgi, 1968.

Дизайн и различные культуры

Austin, Robert, and Ueda, Koichiro. Bamboo.  Tokyo: Weatherhill, 1978.

Belo, Jane. Traditional Balinese Culture.

New York: Columbia University Press, 1970.

Benrimo, Dorothy. Camposantos.

Fort Worth, Texas: Amon Carter Museum, 1966.

Beurdeley, Jean-Michel. Thai Forms.  Freiburg". Office du Livre, 1979.

Bhagwati, Jagdish. The Economics of Underdeveloped Countries.

London: Weidenfeld & Nicholson, 1966.

Carpenter, Edmund. Eskimo.  Toronto: University of Toronto Press, 1959.

Cavarrubias, Miguel. Bait.  New York: Knopf, 1940.

___. Mexico South.  New York: Knopf, 1946.

Cordry, Donald, and Cordry, Dorothy. Mexican Indian Costumes.

Austin: University of Texas Press, 1968.

Gushing, Frank Hamilton. Zuni Fetishes.

Flagstaff, Arizona: KG Editions, 1966.

de Bermudez, Graciela Samper (ed.). Artesanias de Colombia.

Bogota: Litografia Arco, 1978.

Dennis, Wayne. The Hopi Child.  New York: Science Editions, 1965

DePoncins, Contran. Eskimos.  New York: Hastings House, 1949.

Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy.

London: Routledge & Kegan Paul, 1964.

Gardi, Ren6. African Crafts and Craftsmen.  

New York: Van Nostrand Reinhold, 1969.

___. ArchitecturesansArchitecte. Bern: Buchler&Co., 1974.

Glynn, Prudence. Skin to Skin: Eroticism in Dress.

London: George Alien & Unwin, 1982.

Grass, Antonio. Animates mitologicos.  Bogota: Litografia Arco, 1979.

___. Diseno Precolumbina Colombiano.  Bogota: Museo del Oro, 1972.

Harris, Marvin. Cultural Materialism.  New York: Random House, 1979.

Harrison, Paul. Inside the Third World.  Middlesex: Penguin, 1979.

___. The Third World Tomorrow.  Middlesex: Penguin, 1980.

Heineken, Ту, and Heineken, Kyoko. Tansu: Traditional Japanese Cabinetry.

Tokyo: Weatherhill, 1981.

Herrigel, Eugen. Zen in the Art of Archery.

London: Routledge & Kegan Paul, 1953.

Hiler, Hilaire. From Nudity to Raiment.  London: W. & G. Foyle Ltd., 1930.

Hokusai. One Hundred Views of Mount Fuji.  

New York: Frederik Publications, 1958.

Kasba 64 Study Group. Living on the Edge of the Sahara.

The Hague: Government Publishing Office, 1973.

Kwamiys, Takeji. Katachi: Japanese Pattern and Design in Wood,

Paper and Clay.  New York: Abrams, 1967.

Jenness, Diamond. The People of the Twilight.

Chicago: University of Chicago Press, Phoenix, 1959.

Kakuzo, Okakura. The Book of Tea.  Tokyo: Turtle, 1963.

Kitzo, Harumichi. Cha-No-Yu.  Tokyo: Shokokusha, 1953.

___ .Formation of Bamboo.  Tokyo: Shokokusha, 1958.

___ .Formation of Stone.  Tokyo: Shokokusha, 1958.

Kubler, Geerge. The Shape of Time.

New Haven, Connecticut: Yale University Press, 1962.

Lee, Sherman E. The Genius of Japanese Design.  Tokyo: Kodansha, 1981.

Leppe, Markus. Vaivaisukot.  Helsinki, Finland: Werner Soderstrom, 1967.

Liebow, Elliot. Tally's Corner.  Boston: Little, Brown, 1967.

Linton, Ralph. The Tree of Culture.  New York: Knopf, 1955.

Lip, Evelyn. Chinese Geomancy.  Singapore: Times Books International, 1979-

Lopez, Oscar Hidalgo. Manual de construction con bambu.  

Bogota: National University of Colombia, 1981.

McPhee, Collin. A House in Bali.  New York: John Day, 1946.

Music in Bali.  New Haven, Connecticut: Yale University Press, 1966.

Malinowski, Bronislaw. Magic, Science and Religion.  

New York: Anchor, 1954.

___. Sex and Repression in Savage Society.

London: Routledge & Kegan Paul, 1927.

Manker, Ernst. People of Eight Seasons: The Story of the Lapps.

New York: Viking, 1964.

Mead, Margaret. Coming of Age in Samoa.  Middlesex: Penguin, 1971.

__. Cultural Patterns and Technological Change.  New York: Mentor, n.d.

__. Growing up in New Guinea.  Middlesex: Penguin, 1970.

__. Male and Female.  Middlesex: Penguin, 1970.

___. Sex and Temperament.  New York: Morrow, 1935.

Meyer, Karl. Teotihuacan.  Milan: Mondadori, 1973.

Michener, James A. Hokusai Sketchbooks.  Tokyo: Tuttle, 1958.

Mookerjee, Ajit. TantraArt.  New Delhi, India: Kumar Gallery, 1967.

Mowat, Parley. People of the Deer.  New York: Pyramid, 1968.

Nicolaisen, Johannes. Ecology and Culture of the Pastoral Tuareg.

Copenhagen: National Museum of Copenhagen, 1963.

Oka, Hideyuki. How to Wrap Five Eggs.  New York: Harper & Row, 1967.

Ortega у Gasset, Josft. The Dehumanization of Art.  Translated by Weyl.

Princeton, New Jersey: Princeton University Press, 1948.

Ortiz, Alfonso. The Tewa World: Space, Time, Being,

& Becoming in a Pueblo Society.  

Chicago: University of Chicago Press, 1969.

Page, Susanne, and Page, Jake. Hopi.  New York: Abrams, 1982.

Pianzola, Maurice. Brasil Barroco.  Rio de Janeiro: Edicao Funarte, 1980.

Ramseyer, Urs. The Art and Culture of Bali.

Oxford: Oxford University Press, 1977.

Reichard, Gladys A. Navajo Religion: A Study of Symbolism.

Princeton, New Jersey: Bollingen Series,

Princeton University Press, 1950.

Richards, Audrey I. Hunger and Work in a Savage Tribe.

New York: Meridian, 1964.

Rodman, Selven. Popular Artists of Brazil.

Old Greenwich: Devin-Adair, 1977.

Roediger, Virginia More. Ceremonial Costumes of the Pueblo Indians.

Berkeley: University of California Press, 1961.

Rudofsky, Bernard. Architecture without Architects.

New York: Museum of Modern Art, 1964.

___. Are Our Clothes Modern?  Chicago: Paul Theobald, 1949.

___. Behind the Picture Window.  New York: Oxford University Press 10

___. The Kimono Mind.  London: Gollancz, 1965.

___. The Prodigious Builders.  New York: Harcourt Brace Jovanovich 197

___. Streets for People.  New York: Doubleday, 1969.

___. The Unfashionable Human Body.  New York: Doubleday, 1971.

Saunders, E. Dale. Mudra: A Study of Symbolic Gestures in Japanese Buddhist

Sculpture.  London: Routledge & Kegan Paul, 1960.

Schafer, Edward H. The Golden Peaches of Samarkand:

A Study of Tang Exotics.  Berkeley: University of California Press, 1963.

___. Tu Wan's Stone Catalogue of Cloudy Forest. Berkeley:

University of California Press, 1961.

Scully, Vincent. Pueblo: Mountain, Village, Dance.

New York: Viking Press, 1975.

Sesoko, Tsune. The I-Ro-Ha of Japan.  Tokyo: Cosmo Corporation, 1979.

Spencer, Robert F. The North Alaskan Eskimo: A Study in Ecology

and Society.  Washington, D.C.: Smithsonian Institution Press, 1969.

Spies, Walter, and de Zote, Beryl. Dance and Drama in Bali.

London: Faber, 1938.

Suzuki, Daisetz T. Zen and Japanese Culture.

London: Routledge & Kegan Paul, 1959.

Sze, Mai-Mai. The Too of Painting.  2 vols.

London: Routledge & Kegan Paul, 1957.

Tange, Kenzo, and Gropius, Walter. Katsura:

Tradition and Creation in Japanese Architecture.  

New Haven, Connecticut: Yale University Press, 1960.

Tange, Kenzo, and Kawazoe, Noboru. Ise: Prototype of Japanese Architecture.

Cambridge, Massachusetts: M.I.T. Press, 1965.

Thiry, Paul and Mary. Eskimo Artifacts: Designed for Use.

Seattle: Superior Publishing Co., 1977.

Valladares, Clarival and do Prado. Artesanato brasileiro.

Rio de Janeiro: Edicao Funarte, 1980.

Vazquez, Ramirez. Mexico: The National Museum of Anthropology. Lausanne:

Helvetica Press, 1968.

Viezzer, Moema. Si mepermiten hablar...

Bolivia: underground pamphlet, 1977.

Wagley Charles. Welcome of Tears: The Tapirape Indians of Central Brazil.

New York; Oxford University Press, 1977.

Watts, Alan R. Beat Zen, Square Zen and Zen.  

San Francisco: City Lights, 1959-

___. The Joyous Cosmology.  New York: Pantheon Books, 1962.

___. Nature, Man and Woman.  New York: Pantheon Books, 1958.

Wichmann, Siegfried. Japonisme.  New York: Harmony Books, 1981.

Wyman, Leland C. (ed.~).Beautyway:ANavajo Ceremonial.  Princeton,

New Jersey: Bollingen Series, Princeton University Press, 1957.

Yee, Chiang. The Chinese Eye.  New York: Norton, 1950.

__. Chinese Calligraphy.  London: Methuen, 1954.

Yoshida, Mitsukuni, et al. Japan Style.  Tokyo: Kondansha, 1981.