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РАСПРОСТРАНЕНИЕ НОВОГО СТИЛЯ



 

Erwin Panofsky. The Life and Art of Albrecht Durer (Princeton U.P., 1943; 4-е изд., 1955; переизд. 1971)

Nikolaus Pevsner, Michael Veier. Grunewald (London: Thames and Hudson, 1948)

G. Scheja. The Isenheim Altarpiece (Cologne: DuMont; New York: Abrams, 1969)

Max J. Friedlander. Die Gemalde von Lucas Cranach (Berlin: Deutscher Verein fur Kunstwissenschaft, 1932)

Walter S. Gibson. Hieronymus Bosch (London: Thames and Hudson, 1973) — см. также статью в моей книге: The Heritage of Apelles (Oxford: Phaidon, 1976; переизд. London, 1993), pp. 79–90.

R.H. Marijnissen. Hieronymus Bosch: The Complete Works (Antwerp: Tatard, 1987)

 

КРИЗИС ИСКУССТВА

 

James Ackerman. Palladio (Harmondsworth: Penguin, 1966)

John Sherman. Mannerism (Harmondsworth: Penguin, 1967)

John Pope-Hennessy. Cellini (London: Macmillan, 1985)

Sydney J. Freedberg. Parmigianino: His Works in Painting (2 vols., Cambridge, Mass.: Harvard U.P., 1950)

A.T. Popham. Catalogue of the Drawings of Parmigianino (3 vols., New Haven-London: Yale U.P., 1971)

Charles Avery. Giambologna (Oxford: Phaidon-Christie's, 1987; переизд. London: Phaidon, 1993)

Hans Tietze. Tintoretto: The Paintings and Drawings (London: Phaidon, 1948)

Harold E. Wethey. El Greco and his School (2 vols., Princeton U.P., 1962)

John Rowlands. Holbein: The Paintings of Hans Holbein the Younger (Oxford: Phaidon, 1985)

Roy Strong. The English Renaissance Miniature (London: Thames and Hudson, 1983) — статьи о Николасе Хильярде и Исааке Оливере.

Fritz Grossmann. Peeter Brueghel. Die Gemalde (Koln: Phaidon, 1955)

Ludwig Munz. Brueghel: The Drawings. Transl. from the German manuscript (London: Phaidon, 1961)

 

ВИДЕНИЕ И ВИДЕНИЯ

 

Rudolf Wittkower. Art and Architecture in Italy 1600–1750 (Harmondsworth: Penguin, 1958; 3-е изд., 1973)

Ellis Waterhouse. Italian Baroque Painting (London: Phaidon, 1962; 2-е изд., 1969)

Donald Posner. Annibale Carracci: A Study in the Reform of Italian Painting around 1590 (2 vols., London: Phaidon, 1971)

Walter Friedlander. Caravaggio Studies (Princeton U.P., 1955)

Howard Hibbard. Caravaggio (London: Thames and Hudson, 1983)

D. Stephen Pepper. Guido Reni: A Complete Catalogue of his Works with an Introductory Text (Oxford: Phaidon, 1984)

Anthony Blunt. The Paintings of Poussin (3 vols., London: Phaidon, 1966–1967)

Marcel Rothlisberger. Claude Lorrain: The Paintings (2 vols., New Haven-London: Yale U.P., 1961)

Julius S. Held. Rubens: Selected Drawings (3 vols., London: Phaidon, 1959; 2-е изд. в одном томе, Oxford, 1986)

Он же. The Oil Sketches of Peter Paul Rubens: A Critical Catalogue (2 vols., Princeton U.P., 1980)

Corpus Rubenianum Ludwig Burchard (London: Phaidon; London: Harvey Miller, 1968 — планируется 27 томов, 15 из которых уже изданы)

Michael Jaffe. Rubens and Italy (Oxford: Phaidon, 1977)

Christopher White. Peter Paul Rubens: Man and Artist (New Haven-London: Yale U.P., 1987)

Christopher Brown. Van Dyck (Oxford: Phaidon, 1982)

Jonathan Brown. Velazquez (New Haven-London: Yale U.P., 1986)

Enriqueta Harris. Velazquez (Oxford: Phaidon, 1982)

Jonathan Brown. The Golden Age of Painting in Spain (New Haven-London: Yale U.P., 1991)

 

ЗЕРКАЛО ПРИРОДЫ

 

Katharine Fremantle. The Baroque Town Hall of Amsterdam (Utrecht: Dekker and Gumbert, 1959)

Seymour Slive. Trans Hals (3 vols., London: Phaidon, 1970-4)

Он же. Jacob van Ruisdael (New York: Abbeville, 1981)

Gary Schwarz. Rembrandt: His Life, his Paintings (Harmondsworth: Penguin, 1985)

Jakob Rosenberg. Rembrandt: Life and Work (2 vols., Cambridge, Mass.: Harvard U.P., 1948; 4-е изд., Oxford: Phaidon, 1980)

A. Bredius. Rembrandt: Complete Edition of the Paintings (Vienna: Phaidon, 1935; 4-е, переработ. изд., London: Phaidon, 1971)

Otto Benesch. The Drawings of Rembrandt (6 vols., London: Phaidon, 1954-7; переработ. изд., 1973)

Christopher White, K.G. Boon. Rembrandt's Etchings: An Illustrated Critical Catalogue (2 vols., Amsterdam: Van Ghendt, 1969)

Christopher Brown, Jan Kelch, Pieter van Thiel. Rembrandt: The Master and his Workshop (2 vols., New Haven-London: Yale U.P., 1991)



Baruch D. Kirschenbaum. The Religious and Historical Paintings of Jan Steen (Oxford: Phaidon, 1977)

Wolfgang Stechow. Dutch Landscape Painting of the Seventeenth Century (London: Phaidon, 1966; 3-е изд., Oxford, 1981)

Svetlana Alpers. The Art of Describing: Dutch Art in the Seventeenth Century (London: John Murray, 1983)

Lawrence Gowing. Vermeer (London: Faber, 1952)

Albert Blankert. Vermeer of Delft: Complete Edition of the Paintings (Oxford: Phaidon, 1978)

John Michael Montias. Vermeer and his Milieu (Princeton U.P., 1989)

 

ВЛАСТЬ И СЛАВА: I

 

Anthony Blunt, ed. Baroque and Rococo Architecture and Decoration (London: Elek, 1978)

Он же. Borromini (Harmondsworth: Penguin, 1979; нов. изд. Cambridge, Mass.: Harvard U.P., 1990)

Rudolf Wittkower. Gian Lorenzo Bernini (London: Phaidon, 1955; 3-е изд., Oxford, 1981)

Robert Enggass. The Paintings of Baciccio: Giovanni Battista Gaulli 1639–1709 (University Park: Pennsylvania State U.P., 1964)

Michael Levey. Giambattista Tiepolo (New Haven-London: Yale U.P., 1986)

Он же. Painting in Eighteenth Century Venice (London: Phaidon, 1959; 3-е изд., New Haven-London: Yale U.P., 1994)

Julius S. Held, Donald Posner. Seventeenth and Eighteenth Century Art (NewYork-London: Abrams, 1972)

 

ВЛАСТЬ И СЛАВА: II

 

G. Walton. Louis XIV and Versailles (Harmondsworth: Penguin, 1986)

Anthony Blunt. Art and Architecture in France 1500–1700 (Harmondsworth: Penguin, 1953; 4-е изд., 1980)

Henry-Russell Hitchcock. Rococo Architecture in Southern Germany (London: Phaidon, 1968)

Eberhard Hempel. Baroque Art and Architecture in Central Europe (Harmondsworth: Penguin, 1965)

Marianne Roland Michel. Watteau: Un artiste au XVIII-e siecle (Paris: Flammarion, 1984)

Donald Posner. Antoine Watteau (London: Weidenfeld and Nicolson, 1984)

 

ВЕК РАЗУМА

 

Kerry Downes. Sir Christopher Wren (London: Granada, 1982)

Ronald Paulson. Hogarth: His Life, Art and Times (2 vols., New Haven-London: Yale U.P., 1971; сокращен. изд. в одном томе, 1974)

David Blindman. Hogarth (London: Thames and Hudson, 1981)

Ellis Waterhouse. Reynolds (London: Phaidon, 1973)

Nicolas Penny, ed. Reynolds (London: Royal Academy, 1986)

John Hayes. Gainsborough: Paintings and Drawings (London: Phaidon, 1975; переизд. Oxford, 1978)

Он же. The Landscape Paintings of Thomas Gainsborough: A Critical Text and Catalogue Raisonne (2 vols., London: Sotheby's, 1982)

Он же. The Drawings of Thomas Gainsborough (2 vols., London: Zwemmer, 1970)

Он же. Thomas Gainsborough (London: Tate Gallery, 1980)

Georges Wildenstein. Chardin, a Catalogue Raisonne (Oxford: Cassirer, 1969)

Philip Conisbee. Chardin (Oxford: Phaidon, 1986)

H.H. Arnason. The Sculptures of Houdon (London: Phaidon, 1975)

Jean-Pierre Cuzin. Jean-Honore Fragonard: Vie et oeuvre; catalogue complet des peintures (Fribourg: Suisse, 1987)

Oliver Millar. Zoffany and his Tribuna (London: Routledge and Kegan Paul, 1967)

 

РАЗРЫВ ТРАДИЦИИ

 

J. Mordaunt Crook. The Dilemma of Style (London: John Murray, 1987)

J.D. Prown. John Singleton Copley (2 vols., Cambridge, Mass.: Harvard U.P., 1966)

Anita Brookner. Jacques-Louis David (London: Chatto and Windus, 1980)

Paul Gassier, Juliet Wilson. The Life and Complete Work of Francisco Goya (New York: Reynal, 1971; переработ. изд., 1981)

Janis Tomlinson. Goya (London: Phaidon, 1994)

David Bindman. Blake as an Artist (Oxford: Phaidon, 1977)

Martin Butlin. The Paintings and Drawings of William Blake (2 vols., New Haven-London: Yale U.P., 1981)

Martin Butlin, Evelyn Joll. The Paintings of J.M.W. Turner, a Catalogue (2 vols., New Haven-London: Yale U.P., 1977; переработ. изд., 1984)

Andrew Wilton. The Life and Work of J.V.W. Turner (London: Academy, 1979)



Graham Reynolds. The Late Paintings and Drawings of John Constable (2 vols., New Haven-London: Yale U.P., 1984)

Malcolm Cormack. Constable (Oxford: Phaidon, 1986)

Walter Friedlander. From David to Delacroix (Cambridge, Mass.: Harvard U.P., 1952)

William Vaughan. German Romantic Painting (New Haven-London: Yale U.P., 1980)

Helmut Borsch-Supan. Caspar David Friedrich (London: Thames and Hudson, 1974; 4-е изд., Munich: Prestel, 1990)

Hugh Honour. Neo-classicism (Harmondsworth: Penguin, 1968)

Он же. Romanticism (Harmondsworth: Penguin, 1981)

Kenneth Clark. The Romantic Rebellion (London: Sotheby's, 1986)

 

ПЕРМАНЕНТНАЯ РЕВОЛЮЦИЯ

 

Robert Rosenblum. Ingres (London: Thames and Hudson, 1967)

Robert Rosenblum, H.W. Janson. The Art of the Nineteenth Century (London: Thames and Hudson, 1984)

Lee Johnson. The Paintings of Eugene Delacroix (6 vols., Oxford U.P., 1981–1989)

Michael Clarke. Corot and the Art of Landscape (London: British Museum, 1991)

Peter Galassi. Corot in Italy: Open-Air Painting and the Classical Landscape Tradition (New Haven-London: Yale U.P., 1991)

Robert Herbert. Millet (Paris: Grand Palais; London: Hayward Gallery, 1975)

Courbet (Paris: Grand Palais; London: Royal Academy, 1977)

Linda Nochkin. Realism (Harmondsworth: Penguin, 1971)

Virginia Surtees. The Paintings and Drawings of Dante Gabriel Rossetti (Oxford U.P., 1971)

Albert Boime. The Academy and French Painting in the Nineteenth Century (London: Phaidon, 1971; переизд. New Haven-London: Yale U.P., 1986)

Manet (Paris: Grand Palais; New York: Metropolitan Museum of Art, 1983) John House. Monet (Oxford: Phaidon, 1977; 3-е изд., London, 1991)

Paul Hayes Tucker. Monet in the 90s: The Series Paintings (New Haven — London: Yale U.P., 1989)

Renoir (Paris: Grand Palais; London: Hayward Gallery; Boston: Museum of Fine Arts, 1985)

Pissarro (London: Hayward Gallery; Paris: Grand Palais; Boston: Museum of Fine Arts, 1981)

J. Hillier. The Japanese Print: A New Approach (London: Bell, 1960)

Richard Lane. Hokusai: Life and Word (London: Barrie and Jenkins, 1989)

Jean Sutherland Boggs et al. Degas (Paris: Grand Palais; Ottawa: National Gallery of Canada; New York: Metropolitan Museum of Art, 1988)

John Rewald. The History of Impressionism (New York: Museum of Modern Art, 1946; 4-е изд., London: Secker and Warburg, 1973).

Русск. перевод: Джон Ревалд. История импрессионизма. Перев. А.Н. Изергиной (Л.-М.: Искусство, 1959; 2-е изд.: перев. П.В. Мелковой под ред. М.А. Бессоновой; М.: Республика, 1995)

Robert L. Herbert. Impressionism: Art, Leisure and Parisian Society (New Haven-London: Yale U.P., 1988)

Albert Elsen. Rodin (New York: Metropolitan Museum of Art, 1963)

Catherine Lampert. Rodin: Sculptures and Drawings (London: Hayward Gallery, 1986)

Andrew Maclaren Young, ed. The Paintings of James McNeill Whistler (New Haven-London: Yale U.P., 1980)

K.E. Maison. Honore Daumier: Catalogue of the paintings, Watercolours and Drawings (2 vols., London: Thames and Hudson, 1968)

Quentin Bell. Victorian Artists (London: Routledge and Kegan Paul, 1967) Graham Reynolds. Victorian Painting (London: Studio Vista, 1966)

 

В ПОИСКАХ НОВЫХ НОРМ

 

Robert Schmutzler. Art Nouveau — Jugendstil (Teufen: Niggli, 1962)

Roger Fry. Cezanne: A Study of his Development (London: Hogarth Press, 1927; нов. изд., Chicago U.P., 1989)

William Rubin, ed. Cezanne. The Late Work (London: Thames and Hudson, 1978)

John Rewald. Cezanne: The Watercolours (London: Thames and Hudson, 1983)

John Russell. Seurat (London: Thames and Hudson, 1965)

Richard Thomson. Seurat (Oxford: Phaidon, 1985; переизд. 1990)

Ronald Pickvance. Van Gogh in Aries (New York: Metropolitan Museum of Art, 1984)

Он же. Van Gogh in Saint Remy and Auvers (New York: Metropolitan Museum of Art, 1986)

Michel Hoog. Gauguin (London: Thames and Hudson, 1987)

Gauguin (Paris: Grand Palais; Chicago: Art Institute; Washington: National Gallery of Art, 1988)

Nicolas Watkins. Bonnard (London: Phaidon, 1994)

Gotz Adriani. Toulouse-Lautrec (London: Thames and Hudson, 1987)

Он же. Post-Impressionism: From Van Gogh to Gauguin (New York: Museum of Modern Art, 1956; 3-е изд., London: Secker and Warburg, 1978)

 






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